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WMA → FLAC
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Choose the source WMA file to convert to FLAC. Changing the format does not restore audio detail already lost; an uncompressed or lossless result may be larger than the source.
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Upload a WMA audio file and create a separate FLAC copy without installing desktop software. The original upload remains unchanged.
FLAC stores the converted result without further quality loss, but it cannot restore audio detail already discarded by a lossy WMA source.
WMA is a widespread licensed audio stream compression format. Created in 1999 by Signal Processing Group, a member of the IT giant Microsoft. Initially, this company created WMA as a competitor to the popular MP3 format. The name WMA is an abbreviation for Windows Media Audio. Among the advantages of this format is the support of almost all Windows systems and devices, as well as the similarity in characteristics and quality with MP3 files. It is believed that a compressed WMA audio file with a bit rate of 160 kbit / s is fully consistent with the quality of an MP3 file with a bit rate of 256 kbit / s. Today, even Apple devices support the WMA format.
FLAC is a free cross-platform audio codec format created in 2001 by Josh Colson and Xiph.Org. The name of the format is an abbreviation of the English phrase Free Lossless Audio Codec. When compressing a file into the FLAC format, it is 50-60% of the original file without loss of sound quality (especially when working with voice recordings). When unpacking such a file, absolute originality is respected. Since the format is free and open, it is supported by almost any software, it is perfect for archiving files and for regular listening to digital recordings.
Supported formats
This converter shows the accepted source formats and the result format.
Input files
WMA
FLAC
MP2
MP3
MPGA
WAV
OGG
M4A
M4P
AMR
M4R
AC3
MID
MIDI
AAC
AIF
AIFF
APE
OGA
CAF
MPC
MKA
VOC
3GA
RA
RM
OPUS
MMF
KAR
EAC3
WEBA
IMY
AWB
MXMF
OTA
RTTTL
RTX
XMF
Result
FLAC
A damaged file or a non-standard codec can still fail even when the extension is supported.
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